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Tsewang Sherpalama: When did
you first know about the Sherpas and what motivated you to produce a documentary
about the Sherpas?
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Margriet Jansen: I first got in touch with the Sherpas in 1995. A
Dutch friend worked in Summit Trekking in Kathmandu and told me stories
about his cooperation with the Rolwaling Sherpas. Cultures and how cultures
influence each other is what interest me. After a research travel to Nepal
in 1996 of about three months and a stay in Rolwaling I was even more
interested. I decided to work on a documentary film about the Sherpa culture.
Furthermore Rolwaling is facing a serious problem with the Tsho Rolpa
lake above the valley. This glacier lake is growing because of climate
change and the moraine dam is not stable. I wrote some articles to raise
awareness of this problem as some fundraising started. Nowadays there
is an alarm system and the moraine dam is lowered a bit so the water flow
is better regulated.
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Tsewang Sherpalama: Historically
Western medias have been exclusively focusing on western climbers as heroes,
why did you choose instead a Sherpa as your main character in your documentary?
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Margriet Jansen: In my films I always look for a cultural and
human perspective; therefore it was clear for me to focus on the Sherpas.
I learned how important climbing is for the Sherpas in making their living.
And getting to know more about climbing 8000-meter peaks I felt a necessity
to include a high altitude climb in this film shown from the perspective
of a Sherpa. It surprised me that the westerners get all the credits and
that they come down as the hero’s at such climbs; often they even
don’t mention the names of the Sherpas who made their climb possible.
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Tsewang Sherpalama: Why choose
Nima Temba Sherpa, why not some one famous like Apa Sherpa, Kaji Sherpa
or one of the sons of Tenjing Norgey Sherpa?
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Margriet Jansen: As said before it was not my aim to focus at
any hero at all, I wanted to show the regular Sherpa live and the circumstances
under which they live, work and climb. It is a profession, and a tough
one. I came to know Nima and his whole family during my first research
years ago and the visits I made afterwards. He expresses his thoughts
very well and has always been well aware of the culture of the Sherpas.
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Tsewang Sherpalama: Is there
any significance in producing this documentary exactly 50 years after
the first successful climb of the Mt. Everest?
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Margriet Jansen: In fact this was more a coincidence. I couldn’t
get the film financed before. Also now I didn’t receive any serious
sponsoring, it is my own independent production. I got however the opportunity
in 2003 to conclude a loan that I (hopefully) earn back by the sales of
the film.
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Tsewang Sherpalama: Besides
winning the Audience Award at the KIMFF, what other awards did this documentary
bring to you, and do you have plans to take this film to other festivals/countries?
What sorts of responses do you expect the film will get?
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Margriet Jansen: The film had a cinema release in the Netherlands
last spring (2004). Although the critics were quite modest the audience
loved the film and came to see it in big numbers. Furthermore the film
has been shown at the Mountain Film Festivals of Graz in Austria, Torello
in Spain, Kendal in the United Kingdom and at the Himalayan Film Festival
in Amsterdam. The film will also be shown by the Finnish and German television.
It is now available on DVD via www.bol.com of www.mjcpro.nl. In general
the responses on the film are quite good. People, even climbers, like
the perspective I’ve chosen. And most people see the film as an
honest portrait and admire its integrity.
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Tsewang Sherpalama: I heard
from others that a Sherpa named Lhakpa Sherpa was one of the cameramen
during the filming of this documentary. Was there a Lhakpa Sherpa as your
cameramen and if yes, how do you rate his camera skill?
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Margriet Jansen: Yes, there was a Lhakpa Sherpa, he is a Sherpa
from the east of Nepal working as an expedition porter. I paid the expedition
for one extra Sherpa whom I could train for the camerawork. Lhakpa did
not have any experience as a cameraman but he was very interested in it.
He seems to be a natural talent because I couldn’t train so much
with him. And perhaps he even didn’t understand all of my explanation
but he came back with good material.
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Tsewang Sherpalama: How did
Nima Temba Sherpa handle his fame and celebrity status after winning the
award for a documentary based on him? |
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Margriet Jansen: I have the feeling that Nima
is not so keen on becoming a celebrity. He is a very unpretending person.
And even if other persons want to focus on him he is not really looking
for the spotlight. Significant in this respect is his aim to go back to
Rolwaling as soon as his kids are grown up; that he has made very clear
in our talks.
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Tsewang Sherpalama: How was
your experience dealing with Sherpa climbers and the Sherpa community
before and during the movie? What did you find different or interesting?
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Margriet Jansen: : I had a very good experience
and time before, during and after the filming. I always feel very welcome
when we meet. I invited Nima together with Sangye Sherpa, who did the
translation of the film, in our house in Holland during the release of
the film. We had a lovely time together. We were invited in several cinema
houses where we had to answer questions and Nima was asked to give his
remarks on the film. What I find difficult is that Sherpa people in general
never say what they really want. Often I had to guess or had to read their
lips for an answer.
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Tsewang Sherpalama: What did
you find behind the scene of a Sherpa climber's day-to-day life before
and after the expedition?
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Margriet Jansen: I found a group of people
who try to make a living within the given circumstances. People who try
to improve their live and their future perspective. I also saw a group
of people taking care of each other, of each other’s children if
necessary, and of the widows from Sherpas who died on the mountain. People
who try to maintain the quality of their culture, their customs and believes
and who work on an improvement of the living conditions in their native
soil in Rolwaling. Above all very nice and kind people with whom it is
a pleasure to work with and to become friends with.
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Tsewang Sherpalama: Obviously,
Sherpas are paid employees to the western climbers for their way up. If
survived, Western climbers along with fame make good deal of fortune while
the risk for the Sherpas are the same if not more. Do you think is it
too much for the western climbers to share some of such fortune earned
with the Sherpas as exemplified by Sir Edmund Hillary? |
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Margriet Jansen: Of course I do agree with
Sir Edmund Hillary, but I know that it is difficult to organise. It is
still depending on the person if he or she would like to share their income
with the Sherpas. Sherpas can make it easier by starting a joint committee
like the Rolwaling Sherpas do. It is easier to give money to a group of
people. Then you are sure the money is spend for good aims and not just
wasted in the bar, for instance. Because that can always happen if you
give funds to private people. I also think that the so-called fortune
climbers make is proportionally relative. Most climbers are in the limelight
for a moment, when they come home they make a living by giving lectures
about their experiences or write a book. By given lectures and selling
books you can make a living in the USA or the European countries but you
are not earning a fortune. And in the meantime we have had all the records;
there is nothing higher than the Everest.
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Tsewang Sherpalama: Sherpas
have achieved, at least within the mountaineering circle in the West,
sort of a folk hero status. However, many climbers have not been able
to 'cash' in on this image, in the sense that, they still live in relative
poverty and are unrecognized at the individual level. What do you suggest
Sherpa climbers do to take advantage of their achievements to better themselves
and help those around them? |
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Margriet Jansen: I think this question is
already answered in the former question. Furthermore I would suggest to
work towards a kind of trade union for climbing Sherpas. All together
you can set a standard of decent rates to earn and enter into yearly negotiations
with the agencies on that principle. You must be sure that everybody agrees
on it and that no one will work ‘under’ the price. It is the
only possibility I see Sherpas can do to raise their standard of living.
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Tsewang Sherpalama: Mountain
climbing has been a middle class male dominated field both in the western
and eastern world, including in the Sherpa community. What role Sherpa
women need to play to make an impact? And do you see any disadvantage
to be a woman in general in this field? |
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Margriet Jansen: I don’t see any disadvantage
being a woman in this field. Already many Sherpa women have proved to
be strong enough, sometimes even stronger then men, to do the job. You
must admit that Sherpa women are the organisers of the daily live in the
remote areas. In the case of climbing it is still difficult for Sherpa
men to share the work with women. As long as there are enough Sherpas
this will stay the same. Also in our Western countries you see that women
only can get male dominated jobs when there is a shortage of labourers
on the market. Until that time only the firm and strong women who are
really determined to do the job will manage to get in.
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Tsewang Sherpalama: Do you
think the Sherpas should continue being part of the mountaineering occupation,
a dangerous field to be in, or your role as an educator, would you advise
us to educate ourselves in other professional fields as well, such as
doctors, engineers, scientist, politicians and so on so forth? |
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Margriet Jansen: Just like Nima says in the
film. He gives his children education so they can get another job, a less
risky job. When Sherpas have sufficient education they can go for climbing
and work as a guide by choice. Then they do the job because they just
love climbing or like to work in the mountains. Nowadays Sherpas still
have to do the job because there is nothing else they can do for a decent
living.
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Tsewang Sherpalama: Would
you do another documentary focusing on the Sherpas? May be about the newest
generation of immigrants in the United States of America, The Sherpas
in Americas? |
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Margriet Jansen: The suggestion you do came
already across my mind but isn’t an actual plan yet. It is also
very hard to get a film like that financed and I cannot pay it myself
a second time. So any suggestions are welcome, I am truly interested.
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Tsewang Sherpalama: There
are many books written about the origin of the Sherpas and most of them
I read stipulate that the Sherpas migrated to Nepal from the eastern part
of Tibet, Kham. Do you agree with these writers and as some one majoring
in visual anthropology do you find any short of evidence to substantiate
such opinions? |
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Margriet Jansen: I am not an expert in this
field. I’ve read the history books, just like you did. I do know
other people who studied this more closely. If you would like me to do
I can ask them about it.
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Tsewang Sherpalama: Presently
all Sherpa villages in Nepal are under the control of the Maoist in all
practicality. Sherpas cannot return and live in their own land without
extortion, death threats and forceful participation to become a comrade,
and join the Maoist cause. Is there a possibility of getting a political
and/or humanitarian asylum for the Sherpas in Europe in general and Holland
in specific, and would you be kind enough to lobby for this cause with
your government on behalf of the Sherpas? |
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Margriet Jansen: I am fully aware of the tragedy
that is taking place in the mountain area of Nepal at the moment. It is
something that really worries me, especially for the local people who
are the victims in this long-term struggle. In my opinion the Sherpas
are not the biggest victims at the moment since the fights are not (yet)
taking place in Sherpa areas but it becomes a serious threat.
Knowing the policy of the Dutch government about migration I give Sherpas
no change when they ask asylum. As long as there are, in the opinion of
the Dutch government, still safe places to go in Nepal, they will send
asylum seekers back. At this moment our government is sending people away
who are really in danger in their home countries. With a group of Dutch
filmmakers we are fighting against this policy. I am sorry but I don’t
see I can do anything for Nepalese asylum seekers at the moment.
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I would
like to thank Mrs. Margriet Jansen for participating in this SHERPA-E-TALK.
STAY TUNED FOR THE NEXT SHERPA-E-TALK with the one and only Sherpa with
a unique background who could have been in the position to negotiate between
Maoist and the Government in Nepal, about the current political problems.
Instead his journey took him from the Sherpa-Land in the Himalayas to
the Land of the Rising Sun in a collectivist country and now to the land
of free people, and achieved great success.
The first three readers
of this E-TALK will receive a free CD of my latest album "The Simple
Monk" for correctly naming my next guest. Please post your guess
on the discussion forum titled E-talk.
Thanks,
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